Giving agency to Muslim women to tell their own stories is the only way to understand their identity.
Background
A cursory Google search for the term Muslim women largely produces a single image: a black sheet. Muslim women are this single stereotype: a black robe covering a brown-skinned, exotic, sexually charged damsel-in-distress. This image brings with it a host of other adjectives that are equally restricting: oppressed, subjugated, silent, invisible.
From Princess Jasmine to the poster forHomeland, these women exist for the pleasure of men, hidden behind screens in a harem, patiently waiting for European colonists to rescue them from their plight. Although it seems farfetched, the idea ofMuslim women has been used as a justification for Western intervention time and time again: from the blue burqas 勳紳泭to the silence overkilled by the Taliban in favor of泭棗紳梗.
The assertions that Muslim women suffer are, however, true:,泭梭勳鳥勳喧梗餃 to seek divorce and recourse after rape,泭 硃紳餃泭are all major issues in Muslim countries. The symbolic black robes originate in Saudi Arabia, which coincidentally also tops the list of countries where lack of, especially the ability to drive, are frequently highlighted. It is indisputable that Muslim countries, most notably those within conflict zones, top the list for most dangerous places for women.
Why Do Stories of Muslim Women Matter?
A one-dimensional portrayal of Muslim women, however, and Muslim womens issues, erases the multifaceted causes: globalization, conflict and patriarchal systems among them. It hides the fact that many countries, including硃紳餃泭, had advanced womens rights before the brutal conflicts and intervention they now face.
Furthermore, this narrative ignores the stories of Saudi women whothe driving ban, the disproportionately higher number of educated women in countries such as硃紳餃泭, and the movement toward trendy fashion and high clothinglines dedicated. It obstructs the stories of pioneering young women likeFarah al-Zahrani,泭,泭硃紳餃泭from being heard.
It also glosses over the emergence ofsuch as the late硃紳餃泭and their attempts to engage meaningfully with religious texts to redefine what it means to be Muslim and a woman. The struggles with and against patriarchal systems, abuse and evenin mosques are not only ongoing, but increasingly evident.
If only the first narrative exists, Muslim women are forever the silent victims, unable to speak for themselves and waiting for a savior. It creates a binary between thevalidating the idea that the only way to be empowered is to also be globally north or Western. This identity is tied closely with the idea of being individualistic, a commodified consumer and, in some cases, secular. While some Muslim women might choose to embrace this girl power flavored identity as a valid form of self-expression and identification, allowingit as the only options silences any other definitions of empowerment.
The two strains of this identitywhat it means to be Muslim and what it means to be a womanare an ongoing negotiation for most women that is both complex and nuanced. Reducing this process to a single image or stereotype is both counterproductive and reductive.
The response of an increasing number of Muslim women is an insistence on performing their own identities in thesphere. Whether this means becoming a Brazilian jiu-jitsu artist, a competitive boxer, a business owner and entrepreneur or an activist, Muslim women are eschewing the idea that they must adhere to anybodys standard and critiquing the identities forced upon them by outside forces, including globalization.
The only way to understand what it means to be a Muslim woman is to listen to the stories of Muslim women.
The views expressed in this article are the authors own and do not necessarily reflect 51勛圖s editorial policy.
Photo Credit: / / Elena Koshevaya
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